Figure 10. The use of an instrumental model for vocal music, showing part of the pattern of tshikona (transposed), with the outline os Songs 12, 33 and T1 superimposed. Solo call sections are marked with tails. Note the omission of tones on the tritone chords and the termination of the sections of the response on the leading note and its companion tone, emphasising the tonic/keynote D.

 

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