Alto drums (mirumba)	Tenor drum (thungwa) Bass drum (ngoma)

	45	Mirumba mivhili yo vhewa fhasi yo tibwa two alto drums are turned upside down and plced on the ground: a) Nanga dza ndou the tusks of an elephant. b) Mbudzi yo bebaho mafhata a goat who has borne twins. c) Muthu o welwaho nga thanga a person who has been felled by reeds (symbol for penis), Ngauri o beba vhana nga vhavhili because she has borne twins.
	46	Mirumba yo vhambwa nga the alto drums have been covered with the skin of: Kholomo khunwana a red cow.
	47	Ngoma ya thungwa: yo remwa 'fhi? the tenor drum: where was it(s wood) chopped down? Thavhani ya Shathama on the hill of Shathama.
	48	Mbado yo rema mubvumela the axe chopped down a large tree, called mubvumela: Muri wo bvumelaho Thovhela na tshishonge the tree which applauds Thovhela and Tshishonge.
	49a	Yeneyi ngoma vhe' they call this tenor drum: Musadzi wa binda a barren woman (who is consequently a flirt).
	49b	Ngoma i tshi lila vhusiku na masiari when the drum sounds by night and day: Ha fhiri muthu: u do ri, Khamusi uyu ndi do wana she cannot pass a man: she will say, "perhaps this one will give me a child."
	The connection between the tenor drum and the woman who is a flirt is suggested by the function of the drum in the domba music. The tenor drum is the 'pace-setter' and it must be beaten continuously. Like the woman, it never gives up.
	50	Ngoma khulwane vhe' They call the big bass drum: Thoho ya nwana the head of a child. Thoho ya muloi the head of a sorcerer. Thoho ya muthu the head of a human being.
	51	Tshiombo tshi rwaho ngoma the stick for playing the drum: Tshanda tsha muthu the hand of a human being.
	52	Afha he tsha se tea hone Where it has been worn by drumming: Phanda ya mukalaha the (bald) forehead of an old man.
	53	Afha he tsha tumulelwa hone where it was cut off (from the branch): Nwana a sa athu u naka mulomoni: a sa athu u bva mano mulomoni an infant whose mouth is not yet nice: who has no teeth.
	54	Hafhala hune ra rwa hone there where we strike (the drum-skin): Thuvunya ya nwana A baby's fontanelle.
	55	Mukumba wa vhmbaho ngoma the hide which is stretched over the drum: Lukanda lwa muthu the skin of a human being, Ndi nwana wa Magalile it is the child of Magalile.
	56	Tshine ngulungulu ngomu ngomani that which rolls inside the drum. (This refers to a smooth pebble which is placed in the hollow body of every bass drum). Lutshetshe lu tshi lila A baby crying: Lu do bva nga henefho bulini It will come out of the hole at the bottom.
	57	Lumeme lwa ngoma the rim (at the top) of the drum: Marinini a nwana the (toothles) gums of a baby.
	58	Mbambo (Khokho) the pegs: Zwinnyo (zwitshende) zwa zwitukana the private parts (little penes) of little boys.
	59	Mikungelo the (four) handles: Magona a vhutshele the knees of green water frogs.
	59a	Nga milayo ya vhalanda: mikungelo according to the milayo of commoners: the handles: Khudavhavha dza vhathu the elbows of human beings.
	60	Tshitendevhule fhasi ha ngoma the round body of the drum: Ndilwana dza vhakololo big wooden dishes for those of noble birth.
	61	Hangei fhasi bulini layo underneath the drum where there is a hole: a) Tshinnyo (tshinzienzie) tsha khomba a maiden's little fanny. b) Nnyo dza musidzana a girl's fanny. c) Tshivhunu tsha lutshetshe a baby's bottom. d) Ndila ya vhasadzi the path of woman (i.e. the vagina).
	62	I tshi lila ngoma, muya u tshi bva nga fhasi when the drum is played, air comes out through the hole: Gegulu li si na muduhulu an old lady who cannot have any more children (lit. an old lady without grandchildren): Lo no swingaho: li sa tsha vhonaho who is already blind: and cannot see (her monthlies) any more.
	63	Makolo a ngoma the carved decoration on the drum: a) Mbandamo dza vhathu scarifications of the human body. b) Mbandamo dza Vhatonga: nola dza Vhatonga scarifications of the Shangana-Tsonga: their facial scars.
	64	Thanda dza ngoma dzo tokwaho the poles from which the bass drum is hung, those which are rammed into the ground: Munna a konaho a potent man.
	65	Ntha above (i.e. the crossbar, or the top of the vertical poles, interpretations differ): Munna wa tshilu a fool (i.e. an impotent man).
	66	Nnzwa dza ngoma the thongs of the drum (by which it is suspended): Mivhofho ya vhafumakadzi women's girdles (worn particularly after childbirth).
	67	Thamu ya Vho-Nyamungozwa, arali yo imiselwa ntha the staff of the master of domba, if it is held upright: Munna a konaho a potent man.
	68	Arali yo sendamiswa if it is held slanting: Munna a sa koni wa ngonwa a man who cannot make it and is impotent.

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